Derek Fordjour

Works

Cairo Sunset
 - 
Acrylic, Charcoal, Cardboard, Oil Pastel, Foil, and Currency on Newspaper Mounted on Canvas
 , 
182.9 x 121.9 cm (72 x 48 inches)
 , 
2025
Four Man Sweep
 - 
Acrylic, charcoal, oil pastel and foil on newspaper mounted on canvas
 , 
106.6 x 208.2 cm
 , 
2020
Sunset on York Boulevard
 - 
Acrylic, charcoal, oil pastel on newspaper mounted on canvas
 , 
152.4 x 106.8 cm
 , 
2018
Red Stripe Pivot
 - 
Acrylic, charcoal, oil pastel and foil on newspaper mounted on canvas
 , 
152.4 x 101.6 cm
 , 
2018
Lotto
 - 
Acrylic, charcoal, oil pastel and foil on newspaper mounted on canvas
 , 
182.8 x 121.9 cm
 , 
2018
roll tide turn
 - 
Acrylic, oil, charcoal and oil pastel on newspaper and cardboard mounted on canvas
 , 
182.8 x 121.9 cm
 , 
2018
No. 63
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
No. 77
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
No. 73
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
No. 29
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
Figure with horn
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
147.3 x 96.5 cm
 , 
2017
What will you do to help us Win?
 - 
Oil pastel, charcoal, acrylic, glitter, cardboard and carved newspaper mounted on canvas
 , 
147.3 x 96.5 cm
 , 
2017
Untitled (red team)
 - 
Oil, acrylic, foil and newspaper on wood
 , 
152.4 x 101.6 cm
 , 
2017
Starters
 - 
Acrylic, charcoal, oil pastel, glitter, coal and cardboard on carved newspaper mounted on canvas
 , 
72.6 x 266.7 cm
 , 
2017
Roundabout
 - 
Oil, acrylic and newspaper on wood
 , 
165.1 x 208.2 cm
 , 
2016
Double down
 - 
Oil and acrylic on wood
 , 
152.4 x 101.6 cm
 , 
2016
unitorium
 - 
Wood, wax, suede fbers, coal, blown glass
 , 
160 x 71.1 x 12.7 cm
 , 
2017
topdog
 - 
Clay, iron, bituminous coal, tree stump and enamel stain
 , 
197.5 x 41.5 x 39 cm
 , 
2016
benched
 - 
Urethane resin, iron, bituminous coal and salvaged wood
 , 
34.5 x 218.5 x 42 cm
 , 
2016
I've know rivers
 - 
Terra cotta clay, bituminous coal, steel, oil paint and found object
 , 
177.8 x 63.5 x 63.5 cm
 , 
2017
Cheerleader Center
 - 
Charcoal, pastel and acrylic on newspapered collage on paper
 , 
152.4 x 101.6 cm
 , 
2014
Eight Top Vertical
 - 
Terra cotta clay, bituminous coal, steel, found object, wood
 , 
204.5 x 101.6 x 37.8 cm
 , 
2017
Huddle
 - 
Wood, terra cotta, glass, acrylic and vinyl paint
 , 
71.1 cm diameter
 , 
2014
Upturned Tread (Yellow Ball)
 - 
Concrete, Resin, Glass and Metal
 , 
47 x 19 x 21,6 cm (18,5 x 7,5 x 8,5 inches)
 , 
2024
Derek Fordjour | Upturned Tread (Yellow Ball), 2024, (Detail)
 - 
 , 
 , 

Exhibitions

Francesco Pirazzi
Zeh Palito
Demarco Mosby
Peter Mohall
Johanna Mirabel

Fifteen Years

May 16
-
June 18, 2024

Luce Gallery is thrilled to announce our special anniversary group presentation, Fifteen Years.
This show celebrates the gallery's milestone and features new works by a selection of the artists we work with, including Dominic Chambers, Ryan Cosbert, Robert Davis, Derek Fordjour, Connie Harrison, Yowshien Kuo, Hugo McCloud, Johanna Mirabel, Peter Mohall, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, Zéh Palito, and Francesco Pirazzi. Opening May 16, the exhibition showcases the incredible talent and diversity of artistic style of our artists, some of whom have been with us since the inception of our gallery, as well as recent additions to the program. This show honors our partnership and journey with these artists, whether they have already achieved career stardom or are just beginning to make their mark. Fifteen Years offers a profound moment of pride and reflection, encapsulating Luce Gallery's mission to discover and support international emerging artists, enriching our ever-expanding gallery program.

With director and founder Nikola Cernetic at the helm, Luce Gallery's mission has always been to seek out new talent and provide spaces for their artworks to gain a wider audience. In a recent interview, Cernetic explained:

"I opened Luce Gallery in a very romantic way, and to this day, that spirit persists. I've never chosen an artist solely for a commercial reason; I ask them to join my program because I love and believe in their work and vision. Searching for these artists and being the first to discover them is perhaps the most interesting and rewarding part of my job as a gallerist. What distinguishes Luce from other galleries today is really our strong program of international artists and consistent discovery of new artists."

Over the years, the gallery's roster has been assembled to include artists from more than eight countries, including many hailing from the United States. The program currently excels at painting, displaying the full breadth of this medium from dynamic abstraction to hyperrealism, palpable textures to seemingly invisible brushstrokes, and often incorporates elements of mixed-media or collage used to heighten conceptual meanings. With a strong focus on providing under-recognized artists with a platform to exhibit and a partnership to provide support, we are always searching for unique talent with a distinctive quality from around the globe and in every medium.

To date, the gallery has hung seventy-seven exhibitions, participated in sixty-five art fairs across Europe and North America, and helped organize several well-received institutional shows for our artists, including a recent solo show of Zéh Palito's work at the Museo de Arte Contemporáneo Querétaro in Mexico. Luce Gallery has distinguished itself through its unwavering commitment to emerging artists for fifteen years, and this show encapsulates that vision.

Included in the nineteen newly made artworks on view are a selection of works by artists who have collaborated with the gallery the longest, including a 1970's inspired portrait by Robert Davis, two floral still-life paintings —composed with his signature single-use plastic technique—on panel by Hugo McCloud, a tranquil leisure landscape by Peter Mohall, and featuring a playful sculpture by Derek Fordjour of upturned legs precariously balancing a glass yellow ball. In recent years, other noteworthy artists such as Dominic Chambers, Ryan Cosbert, Yowshien Kuo, Johanna Mirabel, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, and Zéh Palito have joined the fold. Each brings a distinct 'language' of painting incorporating elements of surrealism, portraiture, and abstraction, expressing the complexities of race, gender, humanity, and memory. Additionally, the newest members to the program include two artists inspired by the landscape, Connie Harrison creating dense abstracted gardens both painted and excavated from oil and wax layers, and Francesco Pirazzi harnessing the mysterious nature of light in a surrealist style, with both artists debuting their solo shows later this year.

When viewed collectively, the artworks in Fifteen Years narrate a tale of the strength of Luce's program and the significance of the gallerist-artist relationship. Here, their devotion to creation is matched with our belief in their talent and abilities. We would also like to reserve a moment to thank our collectors—small and institutional—who have supported both our artists and this gallery's vision every step of the way. Thank you for joining Luce Gallery as we embrace this milestone with open arms and toast to now and to the next Fifteen Years! Salute!


Dominic Chambers (American, b.1993) is a New Haven-based artist originally from St. Louis, Missouri. He paints introspective scenes that illustrate both the interior and exterior self and how this duality co-exists using a bold, vibrant palette. Chamber's surrealist-inspired work draws on both historical and art historical references and is grounded in his experiences as a Black man.

Ryan Cosbert (American, b.1999) is a Brooklyn-based conceptual artist working in abstraction. Her work draws from her Haitian and Guyanese heritage, humanistic experiences, self- expression, political issues, and rigorously researched historical narratives of the African diaspora. Cosbert skillfully explores the repercussions of subjugation and oppression experienced by the Black community, often shedding light on overlooked Black historical figures, shared experiences, and profound beliefs.

Robert Davis (American, b.1970) was born in Virginia and currently lives and works in Brooklyn, NY. His hyperrealistic paintings and drawings depict nostalgic scenes from the 1970s, often recalling images from popular culture or his vivid childhood memories. Davis' work invites viewers to reflect on the past, encouraging them to form deep personal connections to the subjects and spaces he portrays.

Derek Fordjour (American, b.1974) is an interdisciplinary artist of Ghanaian heritage who works across painting, sculpture, collage, video/film, and installation. Inspired by athletes, musicians, performers, and other Black cultural creators, Fordjour's artworks explore the vast physical possibilities of the human body while anchoring each subject within a broad social commentary. His works feature colorful, textural surfaces paired with energetic subjects, creating a seamless blend of physicality and conceptuality that evokes complex emotions.

Connie Harrison (British, b.1993) is a painter based in London who specializes in vibrant abstracted landscapes. Her technique involves overlaying multiple compositions of oil paint and wax, which she then carves to reveal underlying depths. This process serves as a metaphor for nature's natural rhythms and life cycles. As Harrison works, different parts of the surface evolve in texture, opacity, and color, creating movement and adding physical depth to the painting, as if simulating growth.

Yowshien Kuo (American, b.1985) is a St. Louis-based painter whose surrealist work blends his experiences as a Taiwanese American with historical references that comment on social and racial inequality, cultural constructs, sexuality, and the human condition. Incorporating Asian- American figures with American Western undertones, Kuo conveys universal experiences and traditions through detailed narratives and symbolism.

Hugo McCloud (American, b.1980) is a self-taught artist based in Los Angeles. Drawn to unconventional materials, he creates detailed representational works using his technique of 'painting' with single-use plastic bags that fuse industrial products with traditional painting, collage, and printmaking techniques. By using ubiquitous materials like single-use plastic, both McCloud's materials and subject matter directly address issues of labor, geopolitics, and environmental concerns, providing us with a deeper connection to our humanity.

Johanna Mirabel (French, b.1991) is a Paris-based painter whose work explores the intimate connection between our inner thoughts and interior spaces. By combining symbolic hues, tropical plants, household objects, and suggestions of exterior spaces with detailed portraits, the artist creates deeply intimate works that explore the immersive and transportive experience of recalling a memory. Her work draws from her French Guyanese and Martinique-Guadalupe heritage, sociological and philosophical writings, and historical references to Western art.

Peter Mohall (Swedish, b.1979) is a Swedish-born, Norwegian-based artist working in painting. His work explores the history and medium of painting as a subject and how each element contributes to our rich emotional experiences. His scenes of leisure, with picturesque Scandinavian backdrops, are painted on tactile jute surfaces with rich, palpable colors. Mohall further invites viewers into his artistic process by neatly arranging each color from his palette onto his signature acrylic brushstroke casts.

Demarco Mosby (American, b.1991) is a New York City-based figurative painter originally from Kansas City, Missouri. His work is narrative-based and uses the human figure to mirror and reveal the weight and complexity of life's everyday tribulations. By incorporating his symbolic vocabulary of objects like birds, ropes, rocks, and tumultuous landscapes into each composition, Mosby creates layered narratives that aptly visualize the complexity and disorientation of our emotional states.

Ludovic Nkoth (Cameroonian-American, b.1994) is a Cameroonian-American painting artist who now lives and works in New York. Known for fluid figurative works created with undulating heavy brushstrokes, Nkoth infuses his personal life as a Black immigrant with ruminations on family history, tradition, and the legacy of colonialism onto the canvas to manifest the essence of the Black experience.

Collins Obijiaku (Nigerian, b.1995) is a self-taught artist based in Abuja, Nigeria. He employs portraiture to examine the depths, truths, and complexities of humanity, using friends, family, and locals as his sitters. Each expressive gaze is further accentuated by his signature winding charcoal line work, which weaves throughout the sitter's face, reminiscent of 'mapping' their life journey.

Zéh Palito (Brazilian, b.1986) is a figure painter whose vibrant, joyful works celebrate Black culture. With studios in both Baltimore, MD, and Sao Paulo, Brazil, Palito researches neglected histories and gives them visibility in the canon, with each figure represented as a confident protagonist. His work is embedded with details referencing popular culture and traditional Brazilian fruits and flora to further radiate both beauty and joy.

Francesco Pirazzi (Italian, b.1994) is a painting and drawing artist who lives and works in Turin, Italy. His surreal yet quiet Italian-inspired land and cityscapes explore the profound power of light, using it to refocus the viewer's experience of reality to evoke both familiar and mysterious sensations.

CV

Born in 1974

Lives and works in New York, NY

SOLO EXHIBITIONS

2023

SCORE, Petzel Gallery, New York, NY

2022

Sonic Boom, Building Art outdoor art series, The Museum of Contemporary Art (MOCA), Los Angeles, CA

Magic, Mystery & Legerdemain, David Kordansky Gallery, Los Angeles, CA

2021

STOCKROOM Ezekial on view at Columbus Museum of Art, Columbus, OH

Gestalt, Pond Society, Shangai, China

2020

Self Must Die, Petzel Gallery, New York, NY

Shelter, Contemporary Art Museum of St.Louis, St.Louis, MO

2019

The House Always Wins, Josh Lilley Gallery, London, UK

JRRNYS, Night Gallery, Los Angeles, CA

2018

Half Mast, 95 Horatio Street, The Whitney Museum of American Art Billboard Project, New York, NY
Derek Fordjour: Camelot Study, BAM (Brooklyn Academy of Music), Brookyln, NY
Zona Maco, Mexico Arte Contemporaneo, solo booth with Luce Gallery
2017

Parade, Sugar Hill Museum, New York, NY

Dallas Art Fair, solo booth with Luce Gallery
2016

Agency & Regulation, Luce Gallery, Torino, IT
Derek Fordjour: Eight Paintings, Papillion Art, Los Angeles, CA

2015

Upper Room, Robert Blumenthal Gallery, New York, NY

Meritocracy, Jack Bell Gallery, London, UK

2014

The Big Game, Storefront Ten Eyck Gallery, Brooklyn, NY

GROUP EXHIBITIONS

2024
Making Strange: Sacred Imagery and the Self, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Get in the Game: Sports and Contemporary Culture, San Francisco Museum of Modern Art, San Francisco, CA
Flight into Egypt: Black Artists and Ancient Egypt, 1876-Now, The Metropolitan Museum of Art, New York, NY
Strike Fast, Dance Lightly: Artists on Boxing, Norton Museum of Art, West Palm Beach, FL
Fifteen Years, Luce Gallery, Turin, IT
Reverberations, Museum of Contemporary Art, Los Angeles, CA
Stop & Stare, UTA Artist Space, Atlanta, GA
Day for Night: New American Realism, Palazzo Barberini, organized by the Aishti Foundation, Rome, IT
Abstraction after Modernism: Recent Acquisitions, The Menil Collection, Houston, TX
an arena, Barbati Gallery, Venice, Italy
Soliloquies, Petzel Gallery, New York, NY
Recent Editions, Pace Prints, New York, NY
Multiplicity: Collage in Contemporary America, The Phillips Collection, Washington, D.C.
2023

Black American Portraits, Memphis Brooks Museum of Art, Memphis, TN
Shared Visions, Jordan Schnitzer Museum of Art, Eugene, OR
20, David Kordansky Gallery, Los Angeles, CA
Windrush: Portraits Of A Pioneering Generation, Palace of Holyroodhouse in Edinburgh, Scotland; Buckingham Palace in London, GB
NGV Triennial 2023, National Gallery of Victoria, Melbourne, Australia
Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA
Multiplicity: Collage in Contemporary America, Frist Art Museum, Nashville, TN Brand New Ancients, Misk Art Institute, Riyadh, Saudi Arabia
2022
Dark Light: Realism in the Age of Post-Truths, curated by Massimiliano Gioni, Aishti Foundation, Jal El Dib, Lebanon
Unmasking Masculinity for the Twenty-First Century, Kalamazoo Institute of Arts, Kalamazoo, MI
51 @ 51: Collected Works, Rennie Museum, Vancouver, Canada
In Our Time: Selections from the Singer Collection, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
Through Our Eyes - Resonance and Illusion in Contemporary Portraits, Center of International Contemporary Art, Vancouver, Canada
In These Truths, curated by Edreys Wajed, Aitina Fareed-Cooke, and Aaron Ott, Albright-Knox Art Gallery, Buffalo, NY
2021
SPOTLIGHT, Vanhaerents Art Collection, Brussels, Belgium
Dark Waters, benefiting the Better Watts Initiative, curated by Lauren Halsey, AJ
Girard, and Tea Vickers, Watts Labor Community Action Committee, Los Angeles, CA

But No Elephants!, Sugar Hill Children’s Museum of Art and Storytelling, New York, NY
The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time, curated by Eugenie Tsai, John and Barbara Vogelstein, with Joseph Shaikewitz, Brooklyn Museum, Brooklyn, NY
Present Generations: Creating the Scantland Collection of the Columbus Museum of Art, Columbus Museum of Art, Columbus, OH
Multiplicity: Collage in Contemporary America, Frist Art Museum, Nashville, TN Brand New Ancients, Misk Art Institute, Riyadh, Saudi Arabia
Puppets of New York: Downtown at The Clemente, Abrazo Interno Gallery, The Clemente Soto Velez Cultural and Educational Center, New York, NY
Museum of the City of New York, New York, NY
Sugar Hill Children’s Museum of Art and Storytelling, New York, NY

2020

100 Drawings from Now, Drawing Center, New York, NY

Private View: Selections from ABHK, Petzel Gallery, New York, NY

Open Air, Luce Gallery, Turin, IT

Majeure Force, Night Gallery, Los Angeles, LA

Art Basel Curated Selection, Petzel Gallery, New York, NY

Uptown 2020, Wallach Art Gallery at Columbia University, New York, NY

CONTEMPORARY ART + DESIGN: New Acquisitions, Dallas Museum of Art, Dallas, TX

2019

Painting Is Its Own Country, The Harvey B. Center, Charlotte, NC
Plumb Line: Charles White and the Contemporary, California African-American Museum, Los Angeles, CA

Transmissions, Zidoun-Bossuyt Gallery, Luxembourg

2018

To Dream Avant-Garde, Hammonds-Harkins Galleries, Columbus, OH

Everyday Muse, ltd Gallery, Los Angeles, CA
Cliche, Almine Rech Gallery, New York, NY

Fun House, Josh Lilley Gallery,  London, UK
Reclamation! Pan-African from the Beth Rudin DeWoody Collection, Taubman Museum of Art, Roanoke, VA
Sidelined, Galerie Lelong, New York, NY

2017

Diamonds, Rings and Courts, Geoffrey Yeh Art Gallery at SJU, NY

All that Glitters, Rachel Uffner, New York, NY

Selections, Elizabeth Dee Gallery, New York, NY

2016

Human Condition, The Hospital, Los Angeles, CA

Summer Fling, Johannes Vogt Gallery, East Hampton, NY

Island States, Tops Gallery, Memphis, TN

March Madness, curated by Hank Willis Thomas & Adam Shopkorn, Fort Gansevoort, New York, NY

2015

I Like it Like This, Sothebys S2 Gallery, New York, NY

And There is an End, Roberts & Tilton Gallery, Los Angeles, CA

Mixed Doubles, Sometimes Gallery, New York, NY

No Such Place, Edward Tyler Nahem Gallery, New York, NY

2014

Open, Papillion Gallery, Los Angeles, CA

2013

Corpus Americus, Driscoll Babcock Gallery, New York, NY

EDUCATION

2016

MFA, Hunter College, New York, NY

2002

Ed.M., Harvard University, Cambridge, MA

2001

BA, Morehouse College, Atlanta, GA

Pratt Institute College of Art and Design

COLLECTIONS

Dallas Museum of Art, Dallas

Beth Rudin DeWoody Collection, Palm Beach

JP Morgan Chase Collection, New York

Ernesto Esposito Collection, Naples

Craig Hall, Hall Group Collection, Dallas

Derek Fordjour
Download CV

Works

Derek Fordjour | Upturned Tread (Yellow Ball), 2024, (Detail)
 - 
 , 
 , 
Upturned Tread (Yellow Ball)
 - 
Concrete, Resin, Glass and Metal
 , 
47 x 19 x 21,6 cm (18,5 x 7,5 x 8,5 inches)
 , 
2024
Huddle
 - 
Wood, terra cotta, glass, acrylic and vinyl paint
 , 
71.1 cm diameter
 , 
2014
Eight Top Vertical
 - 
Terra cotta clay, bituminous coal, steel, found object, wood
 , 
204.5 x 101.6 x 37.8 cm
 , 
2017
Cheerleader Center
 - 
Charcoal, pastel and acrylic on newspapered collage on paper
 , 
152.4 x 101.6 cm
 , 
2014
I've know rivers
 - 
Terra cotta clay, bituminous coal, steel, oil paint and found object
 , 
177.8 x 63.5 x 63.5 cm
 , 
2017
benched
 - 
Urethane resin, iron, bituminous coal and salvaged wood
 , 
34.5 x 218.5 x 42 cm
 , 
2016
topdog
 - 
Clay, iron, bituminous coal, tree stump and enamel stain
 , 
197.5 x 41.5 x 39 cm
 , 
2016
unitorium
 - 
Wood, wax, suede fbers, coal, blown glass
 , 
160 x 71.1 x 12.7 cm
 , 
2017
Double down
 - 
Oil and acrylic on wood
 , 
152.4 x 101.6 cm
 , 
2016
Roundabout
 - 
Oil, acrylic and newspaper on wood
 , 
165.1 x 208.2 cm
 , 
2016
Starters
 - 
Acrylic, charcoal, oil pastel, glitter, coal and cardboard on carved newspaper mounted on canvas
 , 
72.6 x 266.7 cm
 , 
2017
Untitled (red team)
 - 
Oil, acrylic, foil and newspaper on wood
 , 
152.4 x 101.6 cm
 , 
2017
What will you do to help us Win?
 - 
Oil pastel, charcoal, acrylic, glitter, cardboard and carved newspaper mounted on canvas
 , 
147.3 x 96.5 cm
 , 
2017
Figure with horn
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
147.3 x 96.5 cm
 , 
2017
No. 29
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
No. 73
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
No. 77
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
No. 63
 - 
Oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted on canvas
 , 
76.2 x 60.9 cm
 , 
2017
roll tide turn
 - 
Acrylic, oil, charcoal and oil pastel on newspaper and cardboard mounted on canvas
 , 
182.8 x 121.9 cm
 , 
2018
Lotto
 - 
Acrylic, charcoal, oil pastel and foil on newspaper mounted on canvas
 , 
182.8 x 121.9 cm
 , 
2018
Red Stripe Pivot
 - 
Acrylic, charcoal, oil pastel and foil on newspaper mounted on canvas
 , 
152.4 x 101.6 cm
 , 
2018
Sunset on York Boulevard
 - 
Acrylic, charcoal, oil pastel on newspaper mounted on canvas
 , 
152.4 x 106.8 cm
 , 
2018
Four Man Sweep
 - 
Acrylic, charcoal, oil pastel and foil on newspaper mounted on canvas
 , 
106.6 x 208.2 cm
 , 
2020
Cairo Sunset
 - 
Acrylic, Charcoal, Cardboard, Oil Pastel, Foil, and Currency on Newspaper Mounted on Canvas
 , 
182.9 x 121.9 cm (72 x 48 inches)
 , 
2025