Dominic Chambers

Works

Court (Afternoon Blue)
 - 
Oil on Linen
 , 
152,4 x 182,9 cm (60 x 72 inches)
 , 
2024
Blue Hollow (Imaginary Landscape)
 - 
Oil on Linen
 , 
213,3 x 182,8 cm (84 x 72 inches)
 , 
2024
Not Yet Titled
 - 
Oil on Linen
 , 
182,9 x 152,4 cm (72 x 60 inches)
 , 
2022
Daydream (Window Sitter)
 - 
Oil on Linen
 , 
182,9 x 152,4 cm (72 x 60 inches)
 , 
Window Sitter (Memory in Grey)
 - 
Oil on Linen
 , 
182,9 x 152,4 cm (72 x 60 inches)
 , 
2022
The Warmth of Memory
 - 
Oil on Linen
 , 
213,4 x 365,7 cm
 , 
2021
Stillness in Yellow
 - 
Oil and Spray Paint on Linen
 , 
203,2 x 203,2 cm
 , 
2021
Window Gaze (Between the World and Me)
 - 
Oil on Linen
 , 
182,8 x 152,4 cm
 , 
2021
Progress of the Soul (Reader)
 - 
Oil and Spray Paint on Linen
 , 
182,8 x 152,4 cm
 , 
2021
Saint (It Feels Like Yesterday)
 - 
Oil and Spray Paint on Linen
 , 
182,8 x 152,4 cm
 , 
2020
Sunshine Lady
 - 
Oil and Spray Paint on Linen
 , 
167,6 x 142,2 cm
 , 
2020
After Albers (Merik & Ashley)
 - 
Oil on Linen
 , 
142,2 x 142,2 cm (each one)
 , 
2020
After Albers (Jessica in violet and ocre)
 - 
Oil on Canvas
 , 
182,8 x 152,4 cm
 , 
2020
After Albers (Kenturah)
 - 
Oil on Linen
 , 
167,6 x 139,7 cm
 , 
2020
Like the Shapes of Clouds on Water | August Wilson African American Cultural Center, Pittsburgh, PA
 - 
 , 
 , 
Like the Shapes of Clouds on Water | August Wilson African American Cultural Center, Pittsburgh, PA
 - 
 , 
 , 
Joy in our veil
 - 
Oil on Canvas
 , 
118,1 x 142,2
 , 
2020
Untitled (Kevin in Green)
 - 
Oil on Canvas
 , 
132 x 127 cm
 , 
2020
A moment in yellow
 - 
Oil and Spray Paint on Canvas
 , 
182,8 x 164,8 cm
 , 
2019
Summers not as long as it used to be
 - 
Oil on Canvas
 , 
182,8 x 161 cm
 , 
2019
Aint Nobody Here But Us
 - 
Oil on Canvas
 , 
185,4 x 160,6 cm
 , 
2019
Dominic's Veil
 - 
Oil and Spray Paint on Canvas
 , 
127 x 118,1 cm
 , 
2019
Something came to Me
 - 
Oil and Spray Paint on Canvas
 , 
132 x 142,2 cm
 , 
2019
Quiet Company (Clyde in Red)
 - 
Oil on Canvas
 , 
158,2 x 147 cm
 , 
2019
Veil/Wash (Double Consciousness)
 - 
Oil spray paint and charcoal on canvas
 , 
87.6 x 77.4 cm
 , 
2019
Oh, to be Seen
 - 
Oil on canvas
 , 
182,8 x 162,5 cm
 , 
2019
Study for "Sunday Evening"
 - 
Oil on Linen
 , 
88,9 x 101,6 cm (35 x 40 inches)
 , 
2024

Exhibitions

Francesco Pirazzi
Zeh Palito
Demarco Mosby
Peter Mohall
Johanna Mirabel

Fifteen Years

May 16
-
June 18, 2024

Luce Gallery is thrilled to announce our special anniversary group presentation, Fifteen Years.
This show celebrates the gallery's milestone and features new works by a selection of the artists we work with, including Dominic Chambers, Ryan Cosbert, Robert Davis, Derek Fordjour, Connie Harrison, Yowshien Kuo, Hugo McCloud, Johanna Mirabel, Peter Mohall, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, Zéh Palito, and Francesco Pirazzi. Opening May 16, the exhibition showcases the incredible talent and diversity of artistic style of our artists, some of whom have been with us since the inception of our gallery, as well as recent additions to the program. This show honors our partnership and journey with these artists, whether they have already achieved career stardom or are just beginning to make their mark. Fifteen Years offers a profound moment of pride and reflection, encapsulating Luce Gallery's mission to discover and support international emerging artists, enriching our ever-expanding gallery program.

With director and founder Nikola Cernetic at the helm, Luce Gallery's mission has always been to seek out new talent and provide spaces for their artworks to gain a wider audience. In a recent interview, Cernetic explained:

"I opened Luce Gallery in a very romantic way, and to this day, that spirit persists. I've never chosen an artist solely for a commercial reason; I ask them to join my program because I love and believe in their work and vision. Searching for these artists and being the first to discover them is perhaps the most interesting and rewarding part of my job as a gallerist. What distinguishes Luce from other galleries today is really our strong program of international artists and consistent discovery of new artists."

Over the years, the gallery's roster has been assembled to include artists from more than eight countries, including many hailing from the United States. The program currently excels at painting, displaying the full breadth of this medium from dynamic abstraction to hyperrealism, palpable textures to seemingly invisible brushstrokes, and often incorporates elements of mixed-media or collage used to heighten conceptual meanings. With a strong focus on providing under-recognized artists with a platform to exhibit and a partnership to provide support, we are always searching for unique talent with a distinctive quality from around the globe and in every medium.

To date, the gallery has hung seventy-seven exhibitions, participated in sixty-five art fairs across Europe and North America, and helped organize several well-received institutional shows for our artists, including a recent solo show of Zéh Palito's work at the Museo de Arte Contemporáneo Querétaro in Mexico. Luce Gallery has distinguished itself through its unwavering commitment to emerging artists for fifteen years, and this show encapsulates that vision.

Included in the nineteen newly made artworks on view are a selection of works by artists who have collaborated with the gallery the longest, including a 1970's inspired portrait by Robert Davis, two floral still-life paintings —composed with his signature single-use plastic technique—on panel by Hugo McCloud, a tranquil leisure landscape by Peter Mohall, and featuring a playful sculpture by Derek Fordjour of upturned legs precariously balancing a glass yellow ball. In recent years, other noteworthy artists such as Dominic Chambers, Ryan Cosbert, Yowshien Kuo, Johanna Mirabel, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, and Zéh Palito have joined the fold. Each brings a distinct 'language' of painting incorporating elements of surrealism, portraiture, and abstraction, expressing the complexities of race, gender, humanity, and memory. Additionally, the newest members to the program include two artists inspired by the landscape, Connie Harrison creating dense abstracted gardens both painted and excavated from oil and wax layers, and Francesco Pirazzi harnessing the mysterious nature of light in a surrealist style, with both artists debuting their solo shows later this year.

When viewed collectively, the artworks in Fifteen Years narrate a tale of the strength of Luce's program and the significance of the gallerist-artist relationship. Here, their devotion to creation is matched with our belief in their talent and abilities. We would also like to reserve a moment to thank our collectors—small and institutional—who have supported both our artists and this gallery's vision every step of the way. Thank you for joining Luce Gallery as we embrace this milestone with open arms and toast to now and to the next Fifteen Years! Salute!


Dominic Chambers (American, b.1993) is a New Haven-based artist originally from St. Louis, Missouri. He paints introspective scenes that illustrate both the interior and exterior self and how this duality co-exists using a bold, vibrant palette. Chamber's surrealist-inspired work draws on both historical and art historical references and is grounded in his experiences as a Black man.

Ryan Cosbert (American, b.1999) is a Brooklyn-based conceptual artist working in abstraction. Her work draws from her Haitian and Guyanese heritage, humanistic experiences, self- expression, political issues, and rigorously researched historical narratives of the African diaspora. Cosbert skillfully explores the repercussions of subjugation and oppression experienced by the Black community, often shedding light on overlooked Black historical figures, shared experiences, and profound beliefs.

Robert Davis (American, b.1970) was born in Virginia and currently lives and works in Brooklyn, NY. His hyperrealistic paintings and drawings depict nostalgic scenes from the 1970s, often recalling images from popular culture or his vivid childhood memories. Davis' work invites viewers to reflect on the past, encouraging them to form deep personal connections to the subjects and spaces he portrays.

Derek Fordjour (American, b.1974) is an interdisciplinary artist of Ghanaian heritage who works across painting, sculpture, collage, video/film, and installation. Inspired by athletes, musicians, performers, and other Black cultural creators, Fordjour's artworks explore the vast physical possibilities of the human body while anchoring each subject within a broad social commentary. His works feature colorful, textural surfaces paired with energetic subjects, creating a seamless blend of physicality and conceptuality that evokes complex emotions.

Connie Harrison (British, b.1993) is a painter based in London who specializes in vibrant abstracted landscapes. Her technique involves overlaying multiple compositions of oil paint and wax, which she then carves to reveal underlying depths. This process serves as a metaphor for nature's natural rhythms and life cycles. As Harrison works, different parts of the surface evolve in texture, opacity, and color, creating movement and adding physical depth to the painting, as if simulating growth.

Yowshien Kuo (American, b.1985) is a St. Louis-based painter whose surrealist work blends his experiences as a Taiwanese American with historical references that comment on social and racial inequality, cultural constructs, sexuality, and the human condition. Incorporating Asian- American figures with American Western undertones, Kuo conveys universal experiences and traditions through detailed narratives and symbolism.

Hugo McCloud (American, b.1980) is a self-taught artist based in Los Angeles. Drawn to unconventional materials, he creates detailed representational works using his technique of 'painting' with single-use plastic bags that fuse industrial products with traditional painting, collage, and printmaking techniques. By using ubiquitous materials like single-use plastic, both McCloud's materials and subject matter directly address issues of labor, geopolitics, and environmental concerns, providing us with a deeper connection to our humanity.

Johanna Mirabel (French, b.1991) is a Paris-based painter whose work explores the intimate connection between our inner thoughts and interior spaces. By combining symbolic hues, tropical plants, household objects, and suggestions of exterior spaces with detailed portraits, the artist creates deeply intimate works that explore the immersive and transportive experience of recalling a memory. Her work draws from her French Guyanese and Martinique-Guadalupe heritage, sociological and philosophical writings, and historical references to Western art.

Peter Mohall (Swedish, b.1979) is a Swedish-born, Norwegian-based artist working in painting. His work explores the history and medium of painting as a subject and how each element contributes to our rich emotional experiences. His scenes of leisure, with picturesque Scandinavian backdrops, are painted on tactile jute surfaces with rich, palpable colors. Mohall further invites viewers into his artistic process by neatly arranging each color from his palette onto his signature acrylic brushstroke casts.

Demarco Mosby (American, b.1991) is a New York City-based figurative painter originally from Kansas City, Missouri. His work is narrative-based and uses the human figure to mirror and reveal the weight and complexity of life's everyday tribulations. By incorporating his symbolic vocabulary of objects like birds, ropes, rocks, and tumultuous landscapes into each composition, Mosby creates layered narratives that aptly visualize the complexity and disorientation of our emotional states.

Ludovic Nkoth (Cameroonian-American, b.1994) is a Cameroonian-American painting artist who now lives and works in New York. Known for fluid figurative works created with undulating heavy brushstrokes, Nkoth infuses his personal life as a Black immigrant with ruminations on family history, tradition, and the legacy of colonialism onto the canvas to manifest the essence of the Black experience.

Collins Obijiaku (Nigerian, b.1995) is a self-taught artist based in Abuja, Nigeria. He employs portraiture to examine the depths, truths, and complexities of humanity, using friends, family, and locals as his sitters. Each expressive gaze is further accentuated by his signature winding charcoal line work, which weaves throughout the sitter's face, reminiscent of 'mapping' their life journey.

Zéh Palito (Brazilian, b.1986) is a figure painter whose vibrant, joyful works celebrate Black culture. With studios in both Baltimore, MD, and Sao Paulo, Brazil, Palito researches neglected histories and gives them visibility in the canon, with each figure represented as a confident protagonist. His work is embedded with details referencing popular culture and traditional Brazilian fruits and flora to further radiate both beauty and joy.

Francesco Pirazzi (Italian, b.1994) is a painting and drawing artist who lives and works in Turin, Italy. His surreal yet quiet Italian-inspired land and cityscapes explore the profound power of light, using it to refocus the viewer's experience of reality to evoke both familiar and mysterious sensations.

CV

Born in 1993, St. Louis, MO

Lives and works in New Haven, CT

SOLO EXHIBITIONS
2025

Mural installation, The Kranzberg Arts Foundation (KAF) X St. Louis University, St. Louis, MO
2024
Meraki, Lehmann Maupin, London, United Kingdom
Leave Room for the Wind, Lehmann Maupin, New York, NY
2023
Birthplace, Contemporary Art Museum St. Louis, St. Louis, MO
2022
What Makes the Earth Shake, Tephra Institute of Contemporary Art, Reston, VA
Soft Shadows, Lehmann Maupin, New York, NY
2021
Progress of the Soul, Luce Gallery, Turin, Italy
2020
Like the Shapes of Clouds on Water, August Wilson African American Cultural Center, Pittsburgh, PA
Life is Elsewhere, Luce Gallery, Turin, Italy
2017
Black, Brief, & Spirited, The Millitzer Studio and Gallery, St. Louis, MO
These Brief and Spirited Things, The Residential Gallery, Des Moines, IA

SELECTED GROUP EXHIBITIONS

2025

Portraiture: from Cassatt to Warhol, Acquavella Galleries, New York, NY

2024

When We See Us: A Century of Black Figuration in Painting, Zeitz Museum of Contemporary Art Africa, Cape Town, South Africa

Fifteen Years, Luce Gallery, Turin, Italy

2023

CURRENTS, Lehmann Maupin, Palm Beach, FL

Public Private, Pond Society, Shanghai, China

2022

In Our Time: Selections from the Singer Collection, Scottsdale Museum of Contemporary Art, Scottsdale, AZ

Dissolving Realms, Kasmin Gallery, New York, NY

Fire Figure Fantasy: Selections from ICA Miami's Collection, Institute of Contemporary Art, Miami, FL

2021

Black Bodies, White Spaces: Invisibility & Hypervisibility, Green Family Art Foundation, Dallas, TX

Realms of Refuge, Kavi Gupta, Chicago, IL

Life in Flowers, Luce Gallery, Torino, Italy

From the Limitations of Now, Philbrook Museum of Art, Tulsa, Oklahoma

Unraveled. Restructured. Revealed: Where Contemporary Art and Diverse Perspectives Intersect, Trout Museum of Art, Appleton, WI

Art Finds a Way, Norton Museum of Art, West Palm Beach, FL

2020

IRL, Unit Gallery, London, UK

Synchronicity, Roberts Projects, Los Angeles, CA

Voices, Studio 525, New York, NY

Open Air, Luce Gallery, Turin, Italy

Abstraction of Black Citzenship: Art from St. Louis, Seattle University, Seattle, WA

Winter Salon Part III, Jenkins Johnson Gallery, San Francisco, CA

2019

As long as we are flyin' all this world ain't got no end,  Luce Gallery, Turin, Italy

Conjuring Wholeness in the Wake of Rupture, De Buck Gallery, New York, NY

Again, Always,Green Hall Gallery, Yale University, New Haven, CT

Between Two Worlds, Band of Vices Gallery, Los Angeles, CA

2018

Interwoven, Kravets Wehby Gallery, New York, NY

2017

Water & Dreams, The Green Gallery, Milwaukee, WI

Water & Dreams, The Chicken Coop Gallery, Portland, OR

Now Figuration,Portrait Society Gallery, Milwaukee, WI

Bridge Work 02: From Memory to Metaphor, Arts Literature Lab, Madison, WI

2016

Post Mode 2.0, John Fonda Gallery, Baltimore, MD

Bridge Work 02: From Memory to Metaphor, The Pitch Project Gallery, Milwaukee, WI

MIAD Juried Exhibition, MIAD Contemporary Gallery, Milwaukee, WI

2015

Post Mode, NYSRP Gallery Yale Norfolk Final Exhibition, Norfolk, CT

Creative Fusion, MIAD Contemporary Gallery, Milwaukee, WI

The Gold Show, Netherlands Gallery, Milwaukee, WI

Open Studios, The Pitch Project Gallery, Milwaukee, WI

2014

Deconstructing the Local, MIAD Contemporary Gallery, Milwaukee, WI

2013

Progress, Contemporary Gallery, Milwaukee, WI

UMSL/STLCC Print Invitational,Gallery FAB, UMSL, St. Louis, MO

African American Heritage, Terry M. Fischer Gallery, STLCC-FV, Ferguson, MO

Varsity Art XVIII, Art St. Louis, St. Louis, MO

GRANTS/AWARDS

2018

Robert Reed Drawing Scholarship, Yale University

2015

New York Studio Residency, Brooklyn, NY

Residency, Yale University School of Musicand Art, Norfolk, CT

Yale Norfolk Ellen Battell Stoeckel Fellowship, Milwaukee, WI

2014

Transfer Scholarship, MIAD, Milwaukee, WI

Varsity Art XVIII Award, STLCC-FV, St. Louis, MO

2012

Board of Trustees Scholarship, STLCC-FV, St. Louis, MO

EDUCATION

2019

MFA, Yale University School of Art, New Haven, CT

2016

BFA,Milwaukee Institute of Art and Design, Milwaukee, WI

2014

AFA, St. Louis Community College at Florissant Valley, St. Louis, MO

COLLECTIONS

LACMA, Los Angeles, CA

Centre Pompidou, Paris, France (promised gift)

Green Family Foundation, Dallas, TX

High Museum of Art, Atlanta, GA

Institute of Contemporary Art, Miami, FL

Long Museum, Shanghai, China

Morehouse College, Atlanta, GA (promised gift)

Pérez Art Museum Miami, Miami, FL

Xiao Museum of Contemporary Art, Rizhao, China

Dominic Chambers
Download CV

Works

Study for "Sunday Evening"
 - 
Oil on Linen
 , 
88,9 x 101,6 cm (35 x 40 inches)
 , 
2024
Oh, to be Seen
 - 
Oil on canvas
 , 
182,8 x 162,5 cm
 , 
2019
Veil/Wash (Double Consciousness)
 - 
Oil spray paint and charcoal on canvas
 , 
87.6 x 77.4 cm
 , 
2019
Quiet Company (Clyde in Red)
 - 
Oil on Canvas
 , 
158,2 x 147 cm
 , 
2019
Something came to Me
 - 
Oil and Spray Paint on Canvas
 , 
132 x 142,2 cm
 , 
2019
Dominic's Veil
 - 
Oil and Spray Paint on Canvas
 , 
127 x 118,1 cm
 , 
2019
Aint Nobody Here But Us
 - 
Oil on Canvas
 , 
185,4 x 160,6 cm
 , 
2019
Summers not as long as it used to be
 - 
Oil on Canvas
 , 
182,8 x 161 cm
 , 
2019
A moment in yellow
 - 
Oil and Spray Paint on Canvas
 , 
182,8 x 164,8 cm
 , 
2019
Untitled (Kevin in Green)
 - 
Oil on Canvas
 , 
132 x 127 cm
 , 
2020
Joy in our veil
 - 
Oil on Canvas
 , 
118,1 x 142,2
 , 
2020
Like the Shapes of Clouds on Water | August Wilson African American Cultural Center, Pittsburgh, PA
 - 
 , 
 , 
Like the Shapes of Clouds on Water | August Wilson African American Cultural Center, Pittsburgh, PA
 - 
 , 
 , 
After Albers (Kenturah)
 - 
Oil on Linen
 , 
167,6 x 139,7 cm
 , 
2020
After Albers (Jessica in violet and ocre)
 - 
Oil on Canvas
 , 
182,8 x 152,4 cm
 , 
2020
After Albers (Merik & Ashley)
 - 
Oil on Linen
 , 
142,2 x 142,2 cm (each one)
 , 
2020
Sunshine Lady
 - 
Oil and Spray Paint on Linen
 , 
167,6 x 142,2 cm
 , 
2020
Saint (It Feels Like Yesterday)
 - 
Oil and Spray Paint on Linen
 , 
182,8 x 152,4 cm
 , 
2020
Progress of the Soul (Reader)
 - 
Oil and Spray Paint on Linen
 , 
182,8 x 152,4 cm
 , 
2021
Window Gaze (Between the World and Me)
 - 
Oil on Linen
 , 
182,8 x 152,4 cm
 , 
2021
Stillness in Yellow
 - 
Oil and Spray Paint on Linen
 , 
203,2 x 203,2 cm
 , 
2021
The Warmth of Memory
 - 
Oil on Linen
 , 
213,4 x 365,7 cm
 , 
2021
Window Sitter (Memory in Grey)
 - 
Oil on Linen
 , 
182,9 x 152,4 cm (72 x 60 inches)
 , 
2022
Daydream (Window Sitter)
 - 
Oil on Linen
 , 
182,9 x 152,4 cm (72 x 60 inches)
 , 
Not Yet Titled
 - 
Oil on Linen
 , 
182,9 x 152,4 cm (72 x 60 inches)
 , 
2022
Blue Hollow (Imaginary Landscape)
 - 
Oil on Linen
 , 
213,3 x 182,8 cm (84 x 72 inches)
 , 
2024
Court (Afternoon Blue)
 - 
Oil on Linen
 , 
152,4 x 182,9 cm (60 x 72 inches)
 , 
2024